Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

A rail worker fixing a fog warning notice at South Woodford Railway Station in Essex. (Photo by H. F. Davis/Topical Press Agency/Getty Images). 20th October 1938

Enthusiasts skate on a frozen fen in sub-zero temperatures on February 11, 2012 in Sutton, England. (Photo by Oli Scarff/Getty Images)

October winner. “A burst of the aurora borealis over Kirkjufell, taken in September 2016. This shot has been a holy grail for me and was finally captured after many trips”. MICK RYAN, JUDGE: Iceland is a hotspot for aurora photography and this composition of the symmetric, free-standing Kirkjufell and the trident waterfall is much-sought after. If you can time your visit when the aurora “kp” index is high and know the settings for nighttime aurora images, you may end up with a beautiful photograph like this. (Photo by DВ/The Guardian)

Blow-up unicorns, a pig on a pulley and chickens on the lam populate the polychrome pictures in this year’s LensCulture street photography awards. Here: Subida Al Cielo, by José Nieto. Finalist, single image. (Photo by José Nieto/LensCulture 2018 Street Photography Awards)

This beautiful set of images capture the moment a young ballet dancer interacts with her four-legged friends against some iconic backdrops including the Church of the Savior on Blood and the Admiralty building in Saint Petersburg. The enchanted photos were taken by Andrey Seliverstov, 59 from Saint Petersburg, Russia. Here: Nine year old Maria Palkina dancing with dogs. (Photo by Andrey Seliverstov/Caters News Agency)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)