Pupils wearing face masks wait for the opening of their primary school on the first day of the new school year, in Ouagadougou, on October 1, 2020. (Photo by Olympia de Maismont/AFP Photo)

Dancers wearing face shields to prevent the spread of the coronavirus perform during an exercise in Tangerang, Indonesia, Saturday, November 28, 2020, (Photo by Tatan Syuflana/AP Photo)

A performer wears a face shield at a shopping center on New Year's Eve during the coronavirus disease (COVID-19) outbreak, in Bangkok, Thailand on December 31, 2020. (Photo by Soe Zeya Tun/Reuters)

A woman wearing a face mask to protect against the spread of COVID-19 walks past a mask clad Acrocanthosaurus display at the Witte Museum, Thursday, January 28, 2021, in San Antonio. (Photo by Eric Gay/AP Photo)

A doll's face is covered with supportive messages for government-proposed reforms during the International Workers' Day march in Bogota, Colombia, May 1, 2024. (Photo by Fernando Vergara/AP Photo)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

“Asaro from the Eastern Highlands”. The mudmen could not cover their faces with mud because the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall, with unusual designs such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths. (Photo and caption by Jimmy Nelson)