People try out the XIM 17 vehicle interior concept unveiled by Yanfeng Automotive Interiors during the North American International Auto Show in Detroit, Michigan, U.S., January 10, 2017. (Photo by Brendan McDermid/Reuters)

A member of Team USA (L) recovers USA's Anita Alvarez (C), from the bottom of the pool during an incendent in the women's solo free artistic swimming finals, during the Budapest 2022 World Aquatics Championships at the Alfred Hajos Swimming Complex in Budapest on June 22, 2022. (Photo by Peter Kohalmi/AFP Photo)

Street photographer Yassine Alaoui Ismaili follows 16-year-old Emeer Guesmi, aka B-boy Zulu Rema, as he trains and performs breakdance moves – all without the use of his legs. At a breakdance championship in Tunisia, Casablanca-based street photographer Yassine Alaoui Ismaili noticed an unusual competitor: Emeer Guesmi, dancing without the aid of his lower legs. He started following him as he trained and performed. (Photo by Yassine Alaoui Ismaili/The Guardian)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

A Republican farmer defending a farm on the outskirts of Irun against Nationalist forces during the Spanish Civil War, 6th September 1936. A comrade lies dead by his side. (Photo by Keystone/Hulton Archive/Getty Images)

American students going wild during their Spring Break week-long recess in Cancun, Mexico on March 10, 2007. (Photo by Keystone USA/ZUMA Press/Rex Features/Shutterstock)

Three female friends dancing in nightclub. (Photo by Cultura Creative (RF)/Alamy Stock Photo )

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)