“One innovative artist has created quirky artwork which re-imagines classical paintings with the faces of famous modern day cover stars such as Angeline Jolie. Multimedia producer Eisen Bernard Bernardo, 28, from Los Baños, Philippines, has created the clever works for his series called “Mag + Art”, where he takes photos of celebrities from magazine covers and carefully places them over images of people in famous classical paintings”. – Caters News. Photo: Quirky Magazine covers: Keira Knightley and the girl with the pearl earring. (Photo by Eisen Bernard Bernardo/Caters News)

Beautiful seascapes capture the “raw power” of waves rising and crashing in the Indian Ocean. The stunning photos were taken off the coast of Durban in South Africa, and show formations from above and below the surface. Surfer and photographer Marck Botha took the images between April and July, and has always had a passion for the ocean. Here: Marck captured this moment in time from the shore on July, 30, 2015, in Durban, South Africa. (Photo by Marck Botha/Barcroft Media)

These images of an abandoned theater act as a time capsule of a location that was once rocked by the stars. The likes of Metallica, R.E.M. and Motorhead all played the Variety Theatre in Cleveland, Ohio, but now all that remains are dusty chairs that once supported encapsulated crowds. Renowned abandoned building photographer Matthew Christopher photographed the theater in its dilapidated state. Here: The Variety Theatre, Cleveland, Ohio. (Photo by Matthew Christopher/Caters News)

A woman poses with a cut-out of Vladimir Putin in the “President Cafe” in Krasnoyarsk, Siberia, Russia, April 7, 2016. Dozens of photos of Vladimir Putin, from childhood to Russian President, hang on the walls of President Cafe in a working-class area of Krasnoyarsk, a city in eastern Siberia. A life-size cut-out of Putin stands by the bar. Images of U.S. President Barack Obama, as well as leaders of Germany and Britain, greet customers in the toilets. (Photo by Ilya Naymushin/Reuters)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Shamekh Bluwi, an architect and fashion illustrator based in Amman, Jordan, creates beautiful paper cut-outs with women whose dresses become whatever you hold them up against. Besides being beautiful fashion drawings, they also seem like an excellent tool for coming up with inspiration for new fashion designs; simply hold up one of his drawings and see what sort of architectural lines, repeating patterns or images the women in his elegant cutouts would look good in.

Underwater photographer Alexander Semenovs has snapped some of the most stunning, fragile life forms anywhere on planet Earth. Shot in deep, dark conditions, the images continue to provide an insight into what lies beneath, with glowing creatures appearing a lot like aliens in the pitch-black water. Semenovs has shot the likes of bioluminescent jellyfish, aggressive-looking worms and many species that leave a lot to the imagination. The 30-year-old from Moscow does the majority of his work in the White Sea, near the Arctic Circle. Here: A Comb jelly – Beroe cucumis. (Photo by Alexander Semenovs/Caters News)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)