A set of pictures taken by Kellie Netherwood on the northern-most island located in the Inner Hebrides of Scotland perfectly captures the spirit of the Scots: wild, free, and majestic. It is no wonder that Scottish people fought tooth and nail to gain their independence all throughout their history. The green fields, rocky hills, and the beautiful waterfalls all sing to the spirits of the Scots, instilling pride into everyone who considers this place to be their motherland. However, no matter what your origin may be, you cannot help being fascinated by the beauty of these landscapes, drawn to them as if by a powerful force. (Photo by Kellie Netherwood)

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

Even if Men in Black 3‘s story turns out to be a complete disaster, at least the makeup special effects will be quality. Photos show that makeup artist guru Rick Baker has once again worked his magic, and there are going to be more fun aliens this time around. The set photos also show that, as expected, Jemaine Clement‘s villain has some creepy peepers hiding behind his aviator sunglasses. Men in Black 3 opens in 3D on May 25th. (Photo by Stark Industries)

Photographer Wes Naman has created portraits of his friends using Scotch Tape to distort their features. The results are similar to Scottish artist Douglas Gordon's 1997 work, Monster, but Wes says he originally got the idea after applying tape to himself to test a lighting rig set-up. Wes Naman has been a self taught photographer of ten years before graduating from commercial photography in his home in North Carolina. (Photo by Wes Naman/Rex Features)

Mah Chan, a Long Neck Padaung hill tribe woman weaves a scraf for sale to tourists in a small village where 30 familes live July 13, 2006 in Chiang Dao, Thailand. All the Long Neck villages are set up for tourists and just over a year ago the hill tribe members were hand picked to move closer to Chiang Mai from more remote communities so that they could be more accessible. The Padaung women famously wear brass rings around their necks, beginning at five-years-old, to distort the growth of their collarbones and making them look like they have long necks. They are originally from eastern Burma near the Thailand border. (Photo by Paula Bronstein/Getty Images)

A woman on a bicycle rides past the remains of an Audi sedan set afire by an arsonist recently in Zehlendorf district in a street where two more cars were torched on August 23, 2011 in Berlin, Germany. Police have so far made no arrests in a series of arson attacks that have destroyed at least 70 cars within the last week and show no signs of abating. In recent years several hundred cars have been torched annually and police suspect left-wing radicals. The recent series of attacks, averaging about 10 a day, has been particularly severe. (Photo by Sean Gallup/Getty Images)

A breeder poses with fruits and specially made high-fibre bread, for 36-year-old giant panda Jia Jia, at the Hong Kong Ocean Park, China June 30, 2015. Jia Jia, the oldest giant panda living in captivity, is set to challenge the world record for the animals' longevity, with her age said to put her on par with a human centenarian. (Photo by Tyrone Siu/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)