A cake decorated as a scene from the children's story “Little Red Riding Hood” is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Photo by Neil Hall/Reuters)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Palestinian children warm themselves by a fire on a stormy day at Shati (beach) refugee camp in Gaza City January 18, 2016. (Photo by Mohammed Salem/Reuters)

Refugee children play with a stuffed toy at a muddy makeshift camp at the Greek-Macedonian border, near the village of Idomeni, Greece March 15, 2016. (Photo by Alexandros Avramidis/Reuters)

Children sit on a bed in a flooded house following heavy rain in a village in Yemen's Red Sea province of Houdieda April 15, 2016. (Photo by Abduljabbar Zeyad/Reuters)

Children pose for photographs with the Dream Toys predicted Top 12 toys for Christmas during the Dream Toys 2007 Christmas predictions fair on October 10, 2007 in London, England. (Photo by Daniel Berehulak/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.