A climate campaigner in Dublin on November 9, 2024 dresses as Lady Justice to demand that world leaders commit to a fast, fair and funded phase-out of all fossil fuels when they gather in Azerbaijan on Monday for the Cop29 climate conference. (Photo by Stedman Photography)

Officer cadets at Sandhurst military academy celebrate completing the Sovereign's Parade which see's them become commissioned officers in the army on April 11, 2025. The parade marks the completion of 44 weeks of intensive training for the Officer Cadets of Commissioning Course 242, all of whom will officially hold HM the King's Commission as of the stroke of midnight on the day of the parade. In addition, there are 26 international cadets from 18 countries. (Photo by Times photographer Richard Pohle)

Tautumeitas from Latvia performs the song “Bur Man Laimi” during the dress rehearsal for the second semi-final of the 69th Eurovision Song Contest, in Basel, Switzerland, Wednesday, May 14, 2025. (Photo by Martin Meissner/AP Photo)

Miss Seychelles Gabriella Gonthier walks through the crowd with fellow contestants for the start of the final round of the 71st Miss Universe Beauty Pageant in New Orleans Saturday, January 14, 2023. (Photo by Gerald Herbert/AP Photo)

A policeman stops a cyclist as demonstrators from Extinction Rebellion (XR) protest during the NATO Summit by blocking the A12 highway in The Hague, The Netherlands, 25 June 2025. The Netherlands, for the first time in NATO's history of existence, is hosting a NATO summit. (Photo by Sebastiaan Barel/EPA)

A French Cancan dancer performs in front of the Moulin Rouge cabaret during celebrations marking the restart of its iconic windmill with red sails, in Paris, France on July 10, 2025. (Photo by Tom Nicholson/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)