A moon light illuminates the sky through the clouds over a large line of grass between some home houses in the small village of Tafalla, northern Spain, Tuesday, May 1, 2018. (Photo by Alvaro Barrientos/AP Photo)

Demonstrators run inside of subway after clashing with riot police during a protest to denounce the housing crisis and evictions, in Barcelona, Spain, on September 25, 2024. (Photo by Nacho Doce/Reuters)

People react following an Israeli air strike on Palestinian houses, amid the ongoing conflict between Israel and the Palestinian Islamist group Hamas, in Rafah in the southern Gaza Strip on December 12, 2023. (Photo by Fadi Shana/Reuters)

A sacrificial goat peeks through the entrance gate of a house, ahead of the Eid al-Adha festival in Peshawar, Pakistan on June 28, 2023. (Photo by Fayaz Aziz/Reuters)

National maritime charity, the Shipwrecked Mariners’ Society, has revealed results of its seventh annual photography competition, showcasing images relating to all aspects of the UK’s historic relationship with the sea. Here: “Sunrise Through The Wave”, by John Alderson, which has won the People category. (Photo by John Alderson/PA Wire Press Association)

Buzludzha is a historical peak in the Central Stara Planina, Bulgaria and is 1441 metres high. In 1868 it was the place of the final battle between Bulgarian rebels led by Hadji Dimitar and Stefan Karadzha and the Ottoman Empire. The Buzludzha Monument on the peak was built by the Bulgarian communist regime to commemorate the events in 1891 when the socialists led by Dimitar Blagoev assembled secretly in the area to form an organised socialist movement with the founding of the Bulgarian Social Democratic Party, a fore-runner of the Bulgarian Communist Party. The Monument was opened in 1981. No longer maintained by the Bulgarian government, it has fallen into disuse. Buzludzha is reached by a 12 km side road from the Shipka Pass.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.