A Ballet Paraisópolis student wearing a face mask rehearses amidst the coronavirus (COVID-19) pandemic on August 13, 2020 in Sao Paulo, Brazil. The Ballet Paraisópolis is a project that teaches dance to children and young people in the Paraisópolis community in order to encourage them to seek better life opportunities. Founded in 2012 by ballerina, teacher and choreographer, Monica Tarragó, Ballet Paraisópolis has a total of 200 students and another 2,000 on the waiting list. (Photo by Alexandre Schneider/Getty Images)

A Rohingya migrant who arrived in Indonesia by boat cries while speaking on a mobile phone with a relative in Malaysia, at a temporary shelter in Kuala Langsa in Indonesia's Aceh Province May 16, 2015. Nearly 800 migrants were brought ashore in Indonesia on Friday, but other vessels crammed with them were sent back to sea despite a United Nations call to rescue thousands adrift in Southeast Asian waters with dwindling food and water. Thousands of Rohingya Muslims fleeing Myanmar and Bangladesh are stranded on boats as regional governments block them from landing. (Photo by Roni Bintang/Reuters)

Adriana Barahona, known as "Madame Barocle", wearing clothing of the Victorian era, walks along a central avenue in San Jose, Costa Rica June 4, 2015. Barahona says she has been passionate about clothing from the era of Britain's Queen Victoria (1837-1901), and has been making and wearing them since the age of 15. REUTERS/Juan Carlos Ulate

An employee holds a plant with roots at the Plant Advanced Technologies (PAT) company greenhouse in Laronxe near Nancy, Eastern France, June 19, 2015. The farmers employed at the site in Laronxe are growing plants in a special way with a view to “milking” them for use in medicines, cosmetics and agrochemicals. Several major brands, including Germany's BASF and France's Chanel, have teamed up with Plant Advanced Technologies (PAT) in the hope of securing privileged access to the so-called “biomolecules” it extracts through the use of a patented technique. (Photo by Vincent Kessler/Reuters)

This is the stunning body of work by a talented painter – who transforms humans into amazing animals. From alligators to foxes and even owls, artist Shannon Holt, 39, paints every little detail on models to turn them into wildlife. The incredible paintings, which take anywhere between six to 12.5 hours to complete, are part of her Florida Wildlife Series. Shannon, from DeLand, Florida, previously worked on different surfaces such as glass, metals and wood. But the animal advocate decided to experiment with human canvasses and incorporate animals in her work. Here: Red Fox. (Photo by Ryder Gledhill/Shannon Holt/Caters News)

In this March 17, 2015 photo, Ashaninka Indian men, identified by locals as illegal loggers, tie tree trunks together to move them along the Putaya River near the hamlet of Saweto, Peru. Illegal logging persists unabated in this remote Amazon community where four indigenous leaders who resisted it were slain in September. The Putaya River is the waterway that transports felled trees, cut both legally and illegally, to the city of Pucallpa. (Photo by Martin Mejia/AP Photo)

People who live in nearby villages make their yearly pilgrimage as they walk up the slopes of the Popocatepetl volcano in Mexico, Wednesday, March 12, 2014. Every year on March 12, residents make their way up the volcano celebrate the day of Don Gregorio Chino Popocatepetl, as the volcano is known to them, with food, music, dance and fireworks. When the sun rises, hundreds of pilgrims head out from the towns of Santiago Xalintzintla, Tlamacas and San Nicolas de Los Ranchos in van and trucks to drive, then walk up the 17,886-foot (5,450-meter) volcano for their daylong celebration. (Photo by Eduardo Verdugo/AP Photo)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)