An installation consisting of a series of bird boxes is displayed in a tree in Duncan Terrace Gardens in Islington on March 24, 2011 in London, England. The boxes by artists Bruce Gilchrist and Jo Joelson of “London Fieldworks”, were designed to reflect the architecture of the Georgian terraces and flats that surround the park in the community gardens. (Photo by Dan Kitwood/Getty Images)

Monty, (C) the Wadworth brewery shire horse gets given a pint of beer outside the Raven Inn in Poulshot as he starts his two-week annual holiday on August 3, 2012 near Devizes, England. (Photo by Matt Cardy)

Romanian singing duo Gabriella and Monica Irimia, The Cheeky Girls prforms in Falkirk, Scotland on May 4, 2003. (Photo by Michael Schofield/News Group Newspapers Ltd)

An Iranian soldier guards two German tourists near the Iranian-Turkish border during World War II. Since the British occupation of Iran, all Axis nationals are being expelled from the country. (Photo by Three Lions/Getty Images). Circa 1941

Latefat Alao, 56, a ethnic Yoruba Muslim woman, waits for customers in front of her in Beere market in Ibadan, southwest Nigeria, January 29, 2015. Much of the grain and wheat traders like Alao sell comes from the north and Boko Haram's campaign has negatively affected farmers and food markets. Reuters photographer Akintunde Akinleye photographed Nigerians and asked them about their views on the elections as well as their hopes and concerns for the country. (Photo by Akintunde Akinleye/Reuters)

Located in the Mokattam Mountain in southeastern Cairo, Egypt, the Monastery of Saint Simon or the Cave Church is a beautiful and mystical location. The area is also known under the name of the “garbage city” because of the large population of garbage collectors or Zabbaleen that live here and who are the descendants of farmers who started migrating from Upper Egypt to Cairo in the 1940s.

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

“Christoph’s early career in Paris encompassed fashion editorial and advertising work as well as some photography for the music industry. After spending 5 years in Paris, Christoph moved to New York where his passion for visual storytelling found purchase in the film industry”. – Tim Mitchell