As you look at the majestic Crater Lake, located in south-central Oregon, United States, it is hard to imagine that thousands of years ago this place was one giant crater with scorching hot lava spilling over the sides. Those were the times of turmoil. Now, however, this place is the essence of tranquility. The lake that was formed, after the volcano died down, is amazingly clear due to the fact that the water isn’t moving at all. No rivers go in or out of the Crater Lake, and the water lost through evaporation is compensated by the rain and snowfall. This lake is also frighteningly deep – 1,943 feet (592 m) at its deepest point – making it the deepest lake in the United States. If you love nature and if you ever come to Oregon, this is truly a sight to behold.

Sébastien Del Grosso is a French artist and a photographer, who will allow you to enter the world of surrealism, which combines photography and hand-drawn art. His works masterfully blur the transition between the real photo and the picture. By viewing his works, we can see that Sébastien is not only a master of creating photo illusions, but also a person who tries to show his inner world through his art. His emotions, his feelings, his fears and desires are all vividly and skillfully expressed in simple strokes of a pencil. He is the continuation of his art. So much so, that he loses his identity, fearing it, but being unable to stop. (Photo by Sébastien Del Grosso)

A stuffed rabbit doll sits among children's beds standing in the abandoned kindergarten of Kopachi village located inside the Chernobyl Exclusion Zone on September 29, 2015 near Chornobyl, Ukraine. Kopachi, a village that before 1986 had a population of 1,114, lies only a few kilometers south of the former Chernobyl nuclear power plant, where in 1986 workers inadvertantly caused reactor number four to explode, creating the worst nuclear accident in history. (Photo by Sean Gallup/Getty Images)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

An aerial view of the holy Muslim Shiite shrine of Imam Moussa al-Kazim as pilgrims gather to commemorate his death, in the Shiite district of Kazimiyah, Baghdad, Iraq, Wednesday, May 13, 2015. The anniversary of 8th century Shiite Imam Moussa al- Kazim drew tens of thousands of Shiites from all walks to converge on his golden-domed shrine in northern Baghdad. The pilgrims typically march to the shrine while hundreds of tents are erected to offer them free food, drinks and services. (Photo by Hadi Mizban/AP Photo)

These images show off some of the world's most majestic creatures silhouetted against the beautiful rising and setting sun. The vibrant pictures feature a variety of animals in the wild and were taken by a host of photographers at locations around the world. The striking images all have one thing in common: the photographers' awe-inspiring ability to perfectly capture the silhouettes of earth's beautiful creatures. Here: a blue wildebeest moves through grassland at dawn with the sun in the background in Mara Naboisho Conservancy, Kenya, Africa. (Photo by Renato Granieri/Caters News/Ardea)

The winners of the Historic Photographer of the Year Awards 2020 from triphistoric.com celebrate the places and cultural sites around the world that offer a window to the history that exists all around us. This year, restricted by Covid, photographers were called on to scour their photographic archive to share their imagery of those places that dominate our past. Here: The Brighton Palace Pier. (Photo by Michael Marsh/Historic Photographer of the Year 2020)

A girl, standing before her tea shop, which is completely ruined by sea water in Frazerganj, Sundarbans, India on August 18, 2020. After Cyclone Aila struck the Sundarbans in 2009, it became clear that frequent cyclonic events will turn the residents of Sundarbans into climate refugees. Within May 5, 2019 – May 25, 2021, Sundarbans faced cyclones- Fani, Bulbul, Amphan & Yaas – each devastating enough to justify the fear of mass displacement. (Photo by Supratim Bhattacharjee/Mangrove Photography Awards)