Children are seen on a bike after Muslims in Nigeria perform Eid prayer following the global outbreak of coronavirus disease (COVID-19) in Nasarawa on May 24, 2020. (Photo by Afolabi Sotunde/Reuters)
Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.
Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.
Children pose for photographs with the Dream Toys predicted Top 12 toys for Christmas during the Dream Toys 2007 Christmas predictions fair on October 10, 2007 in London, England. (Photo by Daniel Berehulak/Getty Images)
A cake decorated as a scene from the children's story “Little Red Riding Hood” is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Photo by Neil Hall/Reuters)
Refugee children play with a stuffed toy at a muddy makeshift camp at the Greek-Macedonian border, near the village of Idomeni, Greece March 15, 2016. (Photo by Alexandros Avramidis/Reuters)
Children sit on a bed in a flooded house following heavy rain in a village in Yemen's Red Sea province of Houdieda April 15, 2016. (Photo by Abduljabbar Zeyad/Reuters)
Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)