Laura Titch, dressed as Mary of Guise, and Duncan Maclachlan, dressed as Alexander of Stewart, rehearse for Stirling Castle's grand renaissance palace opening on June 3, 2011 in Stirling, Scotland. The palace has been closed for two years, while a Ј12 million pound project was undertaken to return the palace to how it might have looked back in the 1540s, when it was home to Mary of Guise, the widow of James V. Their daughter, Mary Queen of Scots, was raised there before living in France. (Photo by Jeff J Mitchell/Getty Images)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)

In a new project, an international group of photographers have joined forces to use their powerful images to raise awareness and funds to help stop the illegal wildlife trade. Here: Fennec foxes are captured for the illegal pet trade. This three-month-old pup was for sale in a market in southern Tunisia. (Photo by Bruno D'Amicis/Photographers Against Wildlife Crime/Wildscreen/The Guardian)

This adorable gallery reveals the astonished expressions of dozens of puppies as they try to gobble up treats flying through the air toward them. Photographer Christian Vieler, 48, has been documenting pooches, with their eyes bulging, mouths wide open and looks of love on their faces, in his studio as part of the project “Dogs Catching Treats” since 2013. (Photo by Christian Vieler/Caters News Agency)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Alpacas of Lisa Vella-Gatt (not pictured) graze at her farm near Benfeita, Portugal May 11, 2015. Lisa came to Portugal from England in 2009 to set up Monte Frio Alpacas, a project where she breeds alpacas, which produce wool. Lisa's 14 alpacas produce about 50 kilos (110 pounds) of wool annually. (Photo by Rafael Marchante/Reuters)

Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

A boy looks at a six-metre tall luminescent puppet, operated by ten performers, during a preview of Vivid Sydney, promoted as the world's largest festival of light, music and ideas, in Sydney, Australia on May 23, 2018. “Vivid” is a major outdoor cultural event featuring light installations and projections with the annual event this year running from May 25 to June 16, 2018. (Photo by David Gray/Reuters)