Tokio Hotel fan Jennifer poses with Bill Kaulitz wax figure at Madame Tussauds on September 30, 2008 in Berlin, Germany. (Photo by Florian Seefried/Getty Images)
104-year-old John Faulkner of Appleford, Berkshire enjoys a pipe and a glass of beer as he remembers his considerable past. A former jockey, he has been married twice and fathered 32 children. (Photo by Fox Photos/Getty Images). 17th March 1932
People run along a street as rain caused by tropical storm Alberto, the first named storm of 2024 Atlantic hurricane season, falls, in Monterrey, Mexico. on June 19, 2024. (Photo by Daniel Becerril/Reuters)
“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)
We received intriguing letter: “Hello! My name is Glenda Lissette, I am an 18 year old photographer from Chicago, IL. I produce surreal and conceptual photographs. I am currently working on a project where I take a photo a day for an entire year”. Well, let's look!
Photo: “If I Only Had a Brain” (365 project). (Photo by Glenda Lissette)
Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)