Cheetah Darcy enjoys her newly-developed Cheetah Territory that covers 10,000 square at Yorkshire Wildlife Park, near Doncaster, UK on Wednesday, August 16, 2023. Darcy, who is four-years-old, travelled from Ireland's Fota Wildlife Park to YWP last week where she will be joined by 13-year-old male Brooke who is on his way from the Bristol Zoo Project as a recommendation by the European Endangered Species Programme. (Photo by Danny Lawson/PA Images via Getty Images)

This photo taken on September 1, 2023 shows a one-day-old female Sumatran elephant by her 41-year-old mother elephant named Lisa at the Elephant Flying Squad camp in the Tesso Nilo National Park in Pelalawan, Sumatra. (Photo by Wahyudi/AFP Photo)

The photographer Yan Hidayat says his pet Pacman frog and Brazilian turtle are inseparable. He still had to wait four hours to get this photo in West Sumatra, Indonesia, in the first decade of March 2024. (Photo by Yan Hidayat/Media Drum Images)

A cygnet keeps snug under its mother’s wing at Heronry Pond in Wanstead Park in east London in the last decade of May 2024. (Photo by Jeff Moore/The Times)

A mountain hare shakes off rain from its fur, in Findhorn Valley, Moray, Scotland in the second decade of August 2024. In summer, the hare’s coat is a grey-brown colour with a tinge of blue, making them hard to spot against the heather moorland. In winter, it changes to almost completely white for camouflage in the snow. (Photo by Will Hall/Solent News)

Two stags fight in a wildlife park in Aurach near Kitzbuehel, in the Austrian province of Tyrol. (Photo by Kerstin Joensson/Associated Press)

A Spanish photographer has created a collection of pictures featuring animals dressed in human clothing. Miguel Vallinas who is based in Madrid, has called the project Segundas Pieles which means Second Skins. But rather than just creating a collection of funny pictures, Vallinas tries to imagine which clothes the animals would choose for themselves if they could.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.