English singer, songwriter, and actress Paloma Faith looks stunning as the new face of Agent Provocateur on September 8, 2015. The 34-year-old singer models the latest Famous Knickers Forever AW 2015 collection. Paloma once worked at the lingerie store's Soho branch in London. (Photo by Alice Hawkins/Splash News and Pictures)

Solid Light, an exhibition of the immersive works of Anthony McCall, opens at Tate Modern in London on June 25, 2024. Installations use beams of light projected through a thin mist to create large three-dimensional forms. (Photo by Guy Bell/Alamy Live News)

People walk past the Sleepwalker, a sculpture along the High Line in New York, US on May 10, 2016. The hyperrealistic work by Brooklyn artist Tony Matelli is part of the linear park’s Wanderlust exhibition. (Photo by Xinhua/Barcroft Images)

Ally Brooke, from left, Dinah-Jane Hansen, Camila Cabello, Lauren Jauregui and Normani Hamilton of Fifth Harmony, perform “Work From Home” at the Billboard Music Awards at the T-Mobile Arena on Sunday, May 22, 2016, in Las Vegas. (Photo by Chris Pizzello/Invision/AP Photo)

A machine works on a Rio 2016 Olympic medal at the Casa da Moeda do Brasil (Brazilian Mint) in Rio de Janeiro, Brazil, June 28, 2016. The Casa da Moeda do Brasil is the Brazilian mint, owned by the Brazilian government and administratively subordinated to the Ministry of Finances. It was established in 1694. (Photo by Sergio Moraes/Reuters)

Workers fold up a billboard to prepare for the coming of typhoon Vongfong, in Manila, Philippines on Thursday May, 14, 2020. The first typhoon to hit the country this year roared toward the eastern Philippines on Thursday as authorities work to evacuate tens of thousands of people while avoiding overcrowding in shelters that could spread the coronavirus. (Photo by Aaron Favila/AP Photo)

A person wearing a face mask is reflected in an art work entitled “A=V” by Ben Cullen Williams, amid the coronavirus disease (COVID-19) outbreak, in Covent Garden, London, Britain on October 16, 2020. (Photo by John Sibley/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.