Ginger Stanley performs a grand jete during her solo underwater ballet at Silver Springs, Florida. (Photo by Bruce Mozert/Three Lions/Getty Images). Circa 1956

A server carries mugs during a barrel tapping at a beer garden near Theresienwiese where Oktoberfest would have started today as COVID-19 continues in Munich, Germany, September 19, 2020. (Photo by Andreas Gebert/Reuters)

A labourer pulls a cart loaded with sacks of spices at a wholesale spice and chemical market in the old quarters of Delhi, India, December 19, 2016. Picture taken December 19, 2016. (Photo by Adnan Abidi/Reuters)

People walk with umbrella during snowfall in Istanbul, Turkiye on November 19, 2023. (Photo by Hakan Akgun/Anadolu via Getty Images)

A model showcases designs on the runway at MGPIN 2015 Mao Geping Makeup Trends Launch show during Mercedes-Benz China Fashion Week Spring/Summer 2015 at Beijing Hotel on October 27, 2014 in Beijing, China. (Photo by Feng Li/Getty Images)

The Grand National springs to mind as the yearly highlight of the “sport of kings” – thoroughbred steeds and their brave jockeys triumphing (or failing) over gruelling courses and high-fenced adversity. And now steeplechase enthusiasts can add another event to the annuls of great sporting occasions, namely the Stuttgart rabbit show jumping. Here: Rabbit showjumping at an animal fair in Stuttgart, Germany, on November 16, 2014. (Photo by Action Press/Rex Features)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)