Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

“Aurora over a glacier lagoon”. A vivid green overheaded aurrora pictured in Iceland's Vatnajokull National Park reflected almost symetrically in Jokulsrlon Glacier lagoon. A complete lack of wind and currrent combin in this sheltred lagoon scene to crete an arresting mirror effect giving the image a sensation of utter stillness. Despite theis there is motion on a suprising scale, as the loops and arcs of the aurora are shaped by the shifting forces of the Earth's magnetic field. James Woodend of Great Britain won the grand prize with the image, beating out more than 2,500 other entries. The Astronomy Photographer of the Year 2014 contest is judged by the Royal Observatory Greenwich and BBC Sky at Night magazine. (Photo by James Woodend/The Astronomy Photographer of the Year 2014 Contest)

These goats threw caution to the wind and scaled this Argan tree right to the very top, even balancing on the most unsturdy of branches. It looks like a bit of a baa-lancing act, but the goats hooves are perfectly adapted to climbing the trees, where they graze on the Argan fruit. Amateur photographer Burak Senbak, 51, took these photos whilst travelling through Morocco in July 2016. Burak is originally from Turkey and works as a mechanical engineer, but has pursued his passion for photography for 10 years. Intrigued by the sight of goats in a tree, Burak couldnt resist the opportunity to take some photos, and said the goats proved a perfect subject. (Photo by Burak Senbak/Caters News)

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)

Picture dated October 23rd, 2018 shows brother and sister Henry (7) and Lily Sales (9) getting in some early practice for the World Puddle Jumping Championships at Wicksteed Park in Kettering, Northants, UK. Organisers have made more puddles than ever before in an attempt to make this year's competition the biggest and best yet. They are also hoping competitors will set a new record for the most people jumping in puddles at the same time. Judges will give scores based on the height of the jump, enthusiasm, distance of splash and stickability (the amount of mud which clings to each competitor). (Photo by Geoff Robinson Photography)

“I started photography in June 2009. At the time, I was searching for a way to express both the rigorous scientist and the creative artist in me. There are few hobbies that let these two approaches work together, so I really was enthusiastic about it: I am now spending all my free time studying various techniques, contemplating others' fantastic work, and of course, making pictures”. – Christophe Kiciak. Photo: “The Hero”. (Photo by Christophe Kiciak)

More than 700 underwater images were submitted for the 2012 Annual Underwater Photography Contest, hosted by the University of Miami's Rosenstiel School of Marine & Atmospheric Science. This year, for the first time, the University of Miami set up a “Fan Favorite” category for its underwater photo competition. Internet users could vote for their favorite among five pictures. Todd Aki's photo of a jellyfish took the prize, snaring 599 of the 1,221 votes cast. (Photo by Todd Aki)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.