A man stands next to a horsecart laden with oil drums on a street in Lahore on September 27, 2020. (Photo by Arif Ali/AFP Photo)

Tuvalu Beneath the Rising Tide by Sean Gallagher, Tuvalu. Changing environments prize: Fallen trees lie on a beach as the waves from the Funafuti lagoon in Tuvalu lap around them. Land erosion has always been a problem for the South Pacific country but problems are intensifying as sea levels rise. Rising seas are on the verge of completely submerging the tiny archipelago’s islands. (Photo by Sean Gallagher/CIWEM Environmental Photographer of the Year 2019)

Pakistani students look out from a vehicle on their way to school near the Army Public School which was targeted by Taliban militants last year, in Peshawar, Pakistan, Monday, January 12, 2015. (Photo by B.K. Bangash/AP Photo)

Pakistani children cool themselves off in a stream in Peshawar, Pakistan, Monday, June 29, 2015, during Muslim's fasting month of Ramadan. (Photo by Mohammad Sajjad/AP Photo)

The Lexus UX concept is displayed on media day at the Paris auto show, in Paris, France, September 30, 2016. (Photo by Benoit Tessier/Reuters)

Zhao Deli waves as he pilots his self-made “flying scooter” in Dongguan, Guangdong Province, China, 12 August 2018 (issued 16 August 2018). Inspired by a cartoon he watched as a child, Zhao Deli sold off his apartment in pursuit of his dream of building a flying scooter. (Photo by Aleksandar Plavevski/EPA/EFE)

Women sunbath as Ferrari's Brazilian driver Felipe Massa drives past during the third practice session at the Circuit de Monaco in Monte Carlo on May 25, 2013 ahead of the Monaco Formula One Grand Prix. (Photo by Alexander Klein/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)