A Russia-backed rebel looks at the flag covered body of an Ukrainian serviceman in Debaltseve, Ukraine, February 20, 2015. The struggle for the strategic rail hub, Debaltseve, a sleepy town with a pre-war population of 25,000 people, left the town in ruins and became one of the darkest pages in the ongoing conflict in eastern Ukraine, which has already killed more than 6,000 people. (Photo by Vadim Ghirda/AP Photo/File)

A wounded servicemen of Ukrainian Military Forces looks on after the battle with Russian troops and Russia-backed separatists in Lugansk region on March 8, 2022. The number of refugees flooding across Ukraine's borders to escape towns devastated by shelling and air strikes passed two million, in Europe's fastest-growing refugee crisis since World War II, according to the United Nations. (Photo by Anatolii Stepanov/AFP Photo)

A mahout removes the prosthetic from Motala, age 50, at the Friends of the Asian Elephant (FAE) elephant hospital in the Mae Yao National Reserve August 29, 2011 Lampang,Thailand. Motala lost a foot many years back after stepping on a land mine and now is on her third prosthetic, as they need to be changed according to the weight of the elephant. (Photo by Paula Bronstein/Getty Images)

Performers wearing traditional outfits demonstrate the Coopers' Dance on Marienplatz square on January 7, 2012 in Munich, Germany. The Coopers' Dance, known in German as the Schaefflertanz, is performed only every seven years and dates back to 1702. (Photo by Johannes Simon/Getty Images)

French Levalet is back in the streets of Paris with this new piece entitled ‘Le marchand de sable’/’The Sandman’, a rather literal interpretation of the mythical character in central and northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep at night. Funny and smart as usual.

People stand in the middle of the graves and in front of giant kites in the cemetery of Santiago Sacatepequez, Guatemala, November 1, 2015. Dating back 116 years, the tradition of flying kites in the cemetery of of Santiago Sacatepequez, integrates the Catholic feast of All Saints with ancient Mayan practices of honouring the dead. It is believed that the kites connect the living and the dead during the all saints day celebration. (Photo by Jorge Dan Lopez/Reuters)

There is something frightening and at the same time appealing in the living sculptures of 27-year-old British artist Emma Fay. Body art in conjunction with the flexibility of acrobats and fantasy of the artist using water-based paints, a brush and sponge, is transformed into a beautiful work of art. It is not immediately possible to make out the human body in the picture. First you look at the landscape and suddenly begin to distinguish someone’s arm, or neck. Or you look into the eyes of an amazing bull, and it turns out that it is perfectly folded back. Lovely people, temples are and wonderful people-insects are.