A policeman stops a cyclist as demonstrators from Extinction Rebellion (XR) protest during the NATO Summit by blocking the A12 highway in The Hague, The Netherlands, 25 June 2025. The Netherlands, for the first time in NATO's history of existence, is hosting a NATO summit. (Photo by Sebastiaan Barel/EPA)

A French Cancan dancer performs in front of the Moulin Rouge cabaret during celebrations marking the restart of its iconic windmill with red sails, in Paris, France on July 10, 2025. (Photo by Tom Nicholson/Reuters)

An activist with a painted face symbolizing the count of days spent in captivity attends the Free Azov rally in support of the captured defenders of Mariupol on April 21, 2024 in Kyiv, Ukraine. The participants came out to remind about the Ukrainian soldiers who have been held in Russian captivity for more than two years. (Photo by Yan Dobronosov/Global Images Ukraine via Getty Images)

American actress, producer and director Eva Longoria arrives for the screening of the film “Emilia Perez” at the 77th edition of the Cannes Film Festival in Cannes, southern France, on May 18, 2024. (Photo by Antonin Thuillier/AFP Photo)

Performers during the New Year's Day Parade in London on Monday, January 1, 2024. (Photo by Victoria Jones/PA Images via Getty Images)

A member of Sisters of the Valley, a non-religious international group founded in 2014 which has pledged to spread the gospel of the healing powers of cannabis, who uses the moniker “Sister Bernardet” online and asked not to give her name for fear of reprisal, smokes a joint at the Sisters of the Valley's farm on the outskirts of a village in central Mexico on September 3, 2023. (Photo by Raquel Cunha/Reuters)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)