The National Geographic Photo Ark is a travelling exhibition of photographer Joel Sartore’s quest to create a photo archive of biodiversity around the world. So far, Sartore has captured studio portraits of more than 6,000 species – a number that he hopes to double. On 1 July, the ark will open at Melbourne zoo – the first time it has been exhibited in the southern hemisphere. More than 50 portraits will be on display, including many of Australian endangered animals being protected by programs at the zoo itself. These captions have been edited from text supplied by Melbourne zoo. Here: Barking owl. (Photo by Joel Sartore/National Geographic Photo Ark/The Guardian)

People search for shells on a beach in Sittwe, Rakhine State, Myanmar, 17 September 2020. International Coastal Cleanup Day is observed annually on the third Saturday of September and will occur on 19 September this year. (Photo by Nyunt Win/EPA/EFE/Rex Features/Shutterstock)

A young boy scoops water from a hand-dug well in the dry riverbed near Matinyani, in the semi-arid Kitui County in southeastern Kenya, 22 March 2015, the World Water Day. Residents of Kitui County and other arid and semi-arid areas of the country have been hard-hit by extremely poor rainfall this year while the government said in previous month that some 1.6 million people countrywide are facing acute starvation due to the drought and will need relief food over the next six months. Residents of Matinyani say they haven't seen a drop of rain in nearly four months. Thousands of Kenyans in rural areas walk tens of kilometers just to fetch water to drink and to be used in their homes. According to an estimate by UNESCO (United Nations Educational, Scientific and Cultural Organization), 17 million people lack access to safe water in Kenya, where the drought is a perennial problem. (Photo by Dai Kurokawa/EPA)

In preparation for the Dubai Duty Free Men's Open, Andre Agassi and Roger Federer of Switzerland, couldn't resist the temptation to have a friendly “hit” on the world's most unique tennis court, the Helipad of the Burj Al Arab, the world's most luxurious hotel. Standing 321 metres high on a man made island, the majestic Burj Al Arab is without doubt the most recognizable hotel in the world. The hotel's helipad, which is situated 211 metres high covers a surface area of 415 square metres. The pictures were taken on February 22, 2005, in Dubai, United Arab Emirates. (Photo by Getty Images for Dubai Duty Free)

He has been a graphic designer, 3d artist, photo-retoucher as well as illustrator. One thing is for sure, Brian Despain makes one amazing fine artist. This piece started as a post-it note and then ended up this dynamic piece after much work, apparently he thought it looked too much like Plankton from Spongebob Squarepants. Brian is currently in a group show at Roq La Rue in Seattle. The print is signed and numbered in an edition of 30. There are two other prints available as well just in case you another one of them hits you better.

A Lebanese man wears a mask to protect himself from the dust as a sandstorm blows over the northern Lebanese city of Tripoli on September 8, 2015. An unseasonal sandstorm has hit the Middle East, reducing visibility and sending dozens to hospitals with breathing difficulties. (Photo by Ibrahim Chalhoub/AFP Photo)

It's often said that pets and their owners can start to look alike, but these adorable photographs take the old mantra to a new extreme. They are the work of Svetlana Valyiskaya (27), from St Petersburg, who snaps pets in everyday poses in her spare time from her job as a commercial photographer. The vibrant costumes and scenes, which Svetlana designs herself, have made the photos a hit in her native Russia – and it's not hard to see why. She said: “I really love animals, they are loyal, faithful and true and always interesting to work with – plus they never criticise the photographs afterwards”. (Photo by Svetlana Valyiskaya/Mercury)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.