A counter-protester gestures during a Black Lives Matter protest following the death of George Floyd in Minneapolis police custody, in London, Britain, June 13, 2020. (Photo by Simon Dawson/Reuters)

A long exposure image shows star trails from the abandoned submerged orthodox church of St. Nicholas without roof, submerged in the Mavrovo Lake, near Mavrovi Anovi, North Macedonia, 17 March 2019. Constructed in 1850 and submerged in 1952 due to the construction of the hydro system Mavrovo, the church St. Nicholas continues to attract the attention of almost every visitor as it peaks from the water. (Photo by Georgi Licovski/EPA/EFE)

Women take part in the desert trek “Rose Trip Maroc”, on November 1, 2019 in the erg Chebbi near Merzouga. The Rose Trip Maroc is a female-oriented trek where teams of three must travel through the southern Moroccan Sahara desert with a compass, a map and a topographical reporter. (Photo by Jean-Philippe Ksiazek/AFP Photo)

Sukhoi Su-30SM jet fighters of the Russkiye Vityazi (Russian Knights) aerobatic team perform during a demonstration flight in Krasnoyarsk, Russia October 6, 2018. (Photo by Ilya Naymushin/Reuters)

Sara Sorribes Tormo of Team Spain plays a back hand in the Women's singles match against Beatriz Haddad Maia of Team Brazil during day one of the 2024 United Cup at RAC Arena on December 29, 2023 in Perth, Australia. (Photo by Will Russell/Getty Images)

A woman poses after she got an image of a lion tattooed on her back as part of awareness campaign to save Asiatic lions and in preparations for the upcoming Navratri festival in Ahmedabad, India, October 5, 2018. (Photo by Amit Dave/Reuters)

A man looks at a photograph by French photographer Robert Doisneau entitled “The Fate Line: Pablo Picasso at Vallauris, 1952” during the presentation of the photo-exhibition “Picasso, photographer's gaze”, on June 5, 2019 at the Picasso Museum in Barcelona. (Photo by Lluis Gene/AFP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.