Prayer flags fly at Namgyal Tsemo Monastery above the town of Leh in Ladakh, India September 24, 2016. High in the Indian Himalayas, young novice monks in maroon robes take their lessons inside the 15th-century Thiksey monastery. (Photo by Cathal McNaughton/Reuters)

After being rescued as a young fox cub, Todd the 11-month-old fox is getting along just fine as a domestic pet together with his owner, Emma D’Sylva. Todd goes for walks on a leash, plays with D’Sylva’s two other dogs, and wags his tail when it’s time to eat. He was rescued by D’Sylva when he was 4 months old from other owners who could no longer care for him.

Calling themselves the Gaza skate team, a group of young Palestinians get together to skate and rollerblade amid deprivation and high security. Here: Palestinian boys of Gaza skating Team rollerblade on a street in Gaza City March 8, 2019. (Photo by Mohammed Salem/Reuters)

In this Sunday, March 11, 2017 photo, children fight in a boxing ring in Chitungwiza, Zimbabwe. Zimbabwean boys as young as 10 hurry every weekend to a boxing ring whose nickname, Wafa Wafa, in the local Shona language suggests that whoever enters will be lucky to come out alive. (Photo by Tsvangirayi Mukwazhi/AP Photo)

Rina Sawayama – XS (Official Video). Rina Sawayama is a Japanese-British singer, songwriter and model. Born in Niigata, she was raised from a young age in London, where she currently resides. Her debut extended play, Rina, was released in 2017, before her debut studio album, Sawayama, was released on 17 April 2020.

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

Myoung Ho Lee‘s 2007 Tree series is about as peaceful and serene as the scenery itself. In the series, the young South Korean photographer touches upon the subjects of physical isolation and visual confirmation. By placing the tree in front of a stark white background, Lee creates a false separation that plays a delightful game with the mind’s eye.