“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

VIETNAM: A Vietnamese woman, wearing the traditional “ao dai” long dress, poses for photos along peach blossom flowers ahead of the Vietnamese “Tet” (Lunar New Year festival), in a field in Hanoi, Vietnam, February 2, 2016. (Photo by Reuters/Kham)

Tiril Eckhoff of Norway in action during the Women's Biathlon 4x6km Relay race at the Zhangjiakou National Biathlon Centre at the Beijing ​2022 Olympic Games, Zhangjiakou, China, 16 February 2022. (Photo by Martin Divísek/EPA/EFE)

Dancers perform on stage during the Crazy Horse Paris “Forever Crazy” Media Call at The MasterCard Theatres at Marina Bay Sands on October 11, 2017 in Singapore. Forever Crazy consists of a series of highly aesthetic and visual tableaus presented by a classically trained dancers clad only in textured lighting and projection. The show runs from 11 October 2017 till 22 October 2017 in Singapore. (Photo by Suhaimi Abdullah/Getty Images)

A model, painted by the artist Avi Ram from Airbrush Hero, poses for a photo as part of a calendar project, at the Tower of David in Jerusalem's Old City, April 27, 2017. (Photo by Ronen Zvulun/Reuters)

Germany's Kira Walkenhorst (L) taps Germany's Laura Ludwig during the women's beach volleyball qualifying match between Germany and Canada at the Beach Volley Arena in Rio de Janeiro on August 9, 2016, for the Rio 2016 Olympic Games. (Photo by Leon Neal/AFP Photo)

A Kurdish fighter from the People's Protection Units (YPG) fires his rifle at Islamic State militants as he runs across a street in Raqqa, Syria, July 2017. (Photo by Goran Tomasevic/Reuters)

Construction workers take a lunch break on a steel beam atop the RCA Building at Rockefeller Center, New York, September 29, 1932. In the background is the Chrysler Building. (Photo by AP Photo)