An Indian farmer gets his shave done at the site of protest in Ghazipur, outskirts of New Delhi, India, Thursday, December 9, 2021. Thousands of Indian farmers suspended their year-long protest on Thursday after the government withdrew contentious farm laws and set up a committee to consider their other demands, including guaranteed prices for key crops and the withdrawal of criminal cases against the protesters. (Photo by Altaf Qadri/AP Photo)

Czech Republic's Jakub Mensik celebrates after winning the men's singles quarter-final match against Russia's Andrey Rublev at the ATP Qatar Open tennis tournament in Doha on February 22, 2024. (Photo by Karim Jaafar/AFP Photo)

A Ukrainian Army liaison officer Vira, 22, plays with her rat Malyi (Tiny) at her positions near a frontline, in Donetsk region, Ukraine, on March 8, 2024. (Photo by Inna Varenytsia/Reuters)

“One innovative artist has created quirky artwork which re-imagines classical paintings with the faces of famous modern day cover stars such as Angeline Jolie. Multimedia producer Eisen Bernard Bernardo, 28, from Los Baños, Philippines, has created the clever works for his series called “Mag + Art”, where he takes photos of celebrities from magazine covers and carefully places them over images of people in famous classical paintings”. – Caters News. Photo: Quirky Magazine covers: Keira Knightley and the girl with the pearl earring. (Photo by Eisen Bernard Bernardo/Caters News)

“Farmer reading his farm paper”. Coryell County, Texas, September 1931. (Photo by George W. Ackerman)

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A mannequin with boots is stuffed upside down in the snow in front of a home in Nisswa, Minnesota, on March 18, 2013. (Photo by Steve Kohls/The Brainerd Daily Dispatch)

P.S. All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture (if available; this principle works anywhere on the site AvaxNews).

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.