SI bodypaint model, soccer player Alex Morgan (L) attends SI Swimsuit On Location hosted by Haze Nightclub at the Aria Resort & Casino at CityCenter on February 15, 2012 in Las Vegas, Nevada. (Photo by Michael Loccisano/Getty Images for Sports Illustrated)

An art installation formed with milk churns, made by land art artist Gerard Benoit a la Guillaume, is seen at the Chenau de Mayen in the resort of Leysin, Switzerland August 7, 2015. More than 80 milk churns were placed between the Tour d'Ai and the Tour de Mayen summits at an altitude of 2,000 meters (6,561 feet) above sea level under the direction of the artist, to be photographed for his ongoing art project entitled “Milk churns without borders”. (Photo by Denis Balibouse/Reuters)

Who Left The Tap Running by artist Simon McGrath is seen as part of the Sculpture by the Sea outdoor exhibition along the Bondi to Bronte coastal walk on November 4, 2011 in Sydney, Australia. (Photo by Lisa Maree Williams/Getty Images)

Rita Ora attends the Rita Ora “Phoenix” Album Launch Party At Annabel's on November 19, 2018 in London, England. (Photo by David M. BenettGetty Images)

Star Wars actors on the Cantina set at Star Wars Celebration: The Ultimate Fan Experience held at the Anaheim Convention Center on Thursday, April 16, 2015, in Anaheim, Calif. (Photo by Richard Shotwell/Invision/AP Photo)

A man lights up his cigarette with the flames of a bus burned by anti-government demonstrators during a protest against the constitutional amendment PEC 55, which limits public spending, in front of Brazil's National Congress in Brasilia, Brazil December 13, 2016. (Photo by Adriano Machado/Reuters)

Recording artist Yeini arrives at the 17th Annual Latin Grammy Awards in Las Vegas, Nevada, U.S., November 17, 2016. (Photo by Steve Marcus/Reuters)

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.