Participants at the Dubai Run at Sheikh Zayed Road in Dubai, United Arab Emirates on November 26, 2021. (Photo by Ruel Pableo for The National)

Australian model Kate Fischer (Tziporah Malkah) poses with a Cointreau Ball to celebrate France’s founding anniversary in Sydney, Australia on July 14, 1996. (Photo by Getty Images)

A model presents a creation by Spanish designer Agatha Ruiz de la Prada during the Mercedes Benz Fashion Week Madrid, MBFWM, in Madrid, Spain, 16 September 2016. The MBFWM runs from 15 to 20 September 2016. (Photo by J.J. Guillen/EPA)

Traffic enforcer Ramiro Hinojas, 51, wears a Santa Claus costume while directing motorists through traffic at an intersection in Pasay City, Metro Manila, Philippines on November 28, 2017. (Photo by Romeo Ranoco/Reuters)

People walk passed sculptures by Chinese artist Minjun Yue on a street outside a museum in Beijing, China on July 5, 2018. (Photo by Nicolas Asfouri/AFP Photo)

A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)

“A snow roller is a rare meteorological phenomenon in which large snowballs are formed naturally as chunks of snow are blown along the ground by wind, picking up material along the way, in much the same way that the large snowballs used in snowmen are made”. – Wikipedia. Photo: Snow Roller. (Photo by The Daily Omnivore)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.