People wear face masks while participating in the annual Memorial Day Parade on May 25, 2020 in the Staten Island borough of New York City. Dozens of cars and nearly 100 members of the patriotic motorcycle group Rolling Thunder joined the event. This year’s parade was diminished in size and in person-to-person contact due to the coronavirus outbreak. Across the country, events honoring the nation’s veterans have been cancelled or scaled back as America continues to experience high numbers of deaths and new cases of COVID-19. (Photo by Spencer Platt/Getty Images)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

In this photo taken Monday, April 29, 2013, carver Jackson Mbatha, 40, poses next to a an unfinished large toy giraffe he is making from pieces of discarded flip-flops, in front of a painted workshop wall at the Ocean Sole flip-flop recycling company in Nairobi, Kenya. The company is cleaning the East African country's beaches of used, washed-up flip-flops and the dirty pieces of rubber that were once cruising the Indian Ocean's currents are now being turned into colorful handmade giraffes, elephants and other toy animals. (Ben Curtis/AP Photo)

Tami Varma, right, and her brother Robin, the grandchildren of Devendra Varma, a scholar of English gothic tales and an expert in vampire lore, pose in coffins at the Bran Castle, in Bran, Romania, Monday, October 31, 2016. A Canadian brother and sister are passing Halloween night curled up in red velvet coffins in the Transylvanian castle that inspired the Dracula legend, the first time in 70 years anyone has spent the night in the gothic fortress, after they bested 88,000 people who entered a competition hosted by Airbnb to get the chance to dine and sleep at the castle in Romania. A portrait of medieval prince Vlad the Impaler is placed on the wall. (Photo by Vadim Ghirda/AP Photo)

A gory fight to the death between snarling dogs and captured wild boars. Gathered around a bamboo-walled arena, Indonesians in this remote part of Java island seem eager to watch the blood-curdling contests, known locally as “adu bagong” (boar fighting). Not surprisingly, animal rights activists are up in arms against the regular spectacle, which began in the 1960s when wild pig numbers in this area in West Java soared and they were hunted to protect crops. Here: Women share a joke as they walk to a paddy field in Cikawao village of Majalaya, West Java province, Indonesia, October 12, 2017. (Photo by Reuters/Beawiharta)

An interactive art installation created by artist Michael Verdon called the “Temple of Essence” dedicated to "victims of the war on drugs" is burned on the U.S. National Mall in front of the Washington Monument in Washington November 22, 2015. People were encouraged to write personal messages on the temple walls and leave mementos behind inside the interactive art piece, which was the centerpiece of a 48-hour vigil called "Catharsis on the Mall: A Vigil for Healing the Drug War". (Photo by Jim Bourg/Reuters)

Fifty years ago, as France exploded in mass protests, words scrawled on the walls of the Sorbonne summed up the revolutionary zeal of the time: “Run free, comrade, we’ve left the old world behind!”. Sexual liberation, artistic creativity and anti-capitalism were the order of the day. For those who were there, it was an unforgettable time. Here: A wounded student is transported by first-aid workers during riots on the Boulevard Saint-Michel, Paris, France on May 6, 1968. (Photo by Gökşin Sipahioğlu/SIPA Press)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List