Visitors look at photographs in the exhibition “Lisette Model Street Life e Horst P. Horst Syle and Glamour” at the art gallery “Camera – Centro Italiano per la fotografia” in Turin, Italy, 27 April 2021. Culture venues reopened to the public as several Italian region are back to COVID-19 yellow zone in the country's tier system. (Photo by Alessandro di Marco/EPA/EFE)

A man photographs “Mount Recyclemore”, an artwork depicting the G7 leaders looking towards Carbis Bay, made from electronic waste by Joe Rush and Alex Wreckage, ahead of the G7 summit, at Hayle Towans in Cornwall, Britain, June 8, 2021. (Photo by Tom Nicholson/Reuters)

A black gibbon is seen in a cage before being released into the wild by Indonesian nature conservation agency (BKSDA) in Jantho forest, Aceh province on August 26, 2021. (Photo by Chaideer Mahyuddin/AFP Photo)

A street vendor sells Dalgona candy from the Korean Netflix series “Squid Game” at a Dalgona shop in Seoul, South Korea, October 1, 2021. (Photo by Heo Ran/Reuters)

A boy stands near the rotting carcass of a camel that that died of hunger which people had burned to stop the bad smell, in Belif, Garissa county, Kenya on Sunday, October 24, 2021. (Photo by Brian Inganga/AP Photo)

A young woman takes pictures of the city with her mobile phone, from the glass-floor observation platform, in the Oriental Pearl Tower, in the financial district of Shanghai, on May 9, 2019. (Photo by Hector Retamal/AFP Photo)

A fisherman carries a large Pirarucu (Arapaima gigas) at the Piagacu-Purus Sustainable Development Reserve in Amazonas state, Brazil, on October 24, 2019. The pirarucu -a giant fish of the Amazon, that had been on the verge of extinction- can measure up to three meters and weigh more than 200 kilos. The soft and tasty white meat fish is nowadays served in renowned restaurants in Rio de Janeiro. (Photo by Ricardo Oliveira/AFP Photo)

A woman wearing a traditional Hanbok dress visits the Gyeongbokgung Palace grounds in Seoul on October 23, 2023. A woldae terrace for public rituals and ceremonies in front of Gyeongbok Palace’s Gwanghwamun gate was restored and opened to the public earlier this month, after being removed in 1923, during the 1910-45 Japanese colonial period. (Photo by Anthony Wallace/AFP Photo)