A humpback whale is seen at the beginning of whale watching season during a Manly Whale Watching tour on June 8, 2011 in Sydney, Australia. The first day of winter in New South Wales, June 1st, marks the start of the Humback and southern right whales migration from southern regions to the north to warmer waters. Whale watchers should expect tohave plenty to see with the whale population increasing each year. The migration north continues through July and with the whales returning between September and November. (Photo by Cameron Spencer/Getty Images)

Executive producer Dave Alpert attends the season five premiere of “The Walking Dead” at AMC Universal Citywalk on Thursday, October 2, 2014, in Universal City, Calif. (Photo by John Shearer/Invision for AMC/AP Images)

The #8 DP Starworks Motorsports Ford Rley driven by Enzo Potolicchio, Ryan Dalziel, Alex Popow, Lucas Luhr and Allan McNish runs off the track during the Rolex 24 at Daytona International Speedway on January 28, 2012 in Daytona Beach, Florida. (Photo by John Harrelson/Getty Images)

A fellow officer comes to the aid of injured patrolman C.V. Satt, who was pelted with rocks and beer bottles during a clash between police and relief demonstrators in Denver September 23, 1935. (Photo by Henry G. Eisenhand/AP Photo)

This thing has 24 cylinders, 1,704 cubic inches, 12 GMC superchargers (blowers), 8 nitrous bottles and it runs! Why build such a beast? “Because I can,” Harrah says. There’s no other reason to take a 24V71 and build an intake manifold that weighs 1,000 pounds and mount eight 6-71 superchargers on top of four others. This is a V24 Detroit Diesel (normally used to power ships) which is two V12 Detroits joined together nose to nose with splined cranks.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

A masked reveller poses along the flooded St. Mark's Square during a period of seasonal high water and on the first day of carnival, in Venice February 1, 2015. (Photo by Stefano Rellandini/Reuters)