The Maijishan Grottoes are a series of 194 caves cut in the side of the hill of Majishan in Tianshui, Gansu Province, northwest China. This example of rock cut architecture contains over 7,200 Buddhist sculptures and over 1,000 square meters of murals. Construction began in the Later Qin era (384-417 CE).

Federico Babina illustrates the imaginary architecture of movie director-designed homes
all images courtesy of Federico Babina.

In this Monday, October 5, 2015 photo, a thick blanket of early morning fog partially shrouds the skyscrapers of the Marina and Jumeirah Lake Towers districts of Dubai, United Arab Emirates. Dubai's rapid transformation from a desert outpost into one of the world's most architecturally stunning cities is mapped out in the Marina. Where just 15 years ago there was empty, flat land, today a bustling neighborhood thrives centered around a canal and an impressive skyline that pierces through the clouds. (Photo by Kamran Jebreili/AP Photo)

A young Muslim girl looks on as an elder helps her tie her hijab before the Eid al-Fitr prayer at Masjid Jamek Cina Muslim Klang on March 31, 2025, in Selangor, Malaysia. The mosque, inspired by the Great Mosque of Xi’an, blends Chinese and Islamic architectural influences, reflecting the nation’s rich cultural harmony. Eid al-Fitr, marking the end of Ramadan, is a time of prayers, family reunions, and celebration for Muslims worldwide. (Photo by Annice Lyn/Getty Images)

Luis Hernan was always curious about how wireless technologies like radio are transmitted through the air. So after finishing up his studies in architecture, computer science, and design, Hernan decided to research these invisible signals through a PhD at Newcastle University. Hernan set up a system that turned the wireless signals around him into colourful, ghostlike images using long-exposure photography, allowing people to see the strength of the signals around them. (Photo by Luis Hernan)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)