Astronauts Harrison Schmitt (left) and Eugene Andrew Cernan practice taking geological samples at the Kennedy Space Center in Florida, in preparation for NASA's scheduled Apollo 17 lunar landing mission, on August 28, 1972. Schmitt is the Lunar Module Pilot and Cernan is the mission's Commander. They are training for their period of EVA (extravehicular activity) on the Moon. (Photo by Space Frontiers/Getty Images)

ESA astronaut Samantha Cristoforetti on the International Space Station 3 February 2015 during her Futura mission. Samantha is living and working on the Station as part of the Expedition 42 crew. Picture released on February 10, 2015. (Photo by ESA/NASA)

A C-17 Globemaster III crew prepares an air refueling mission September 27, 2012, at Joint Base Charleston, S.C. (Photo by Airman 1st Class Matthew J. Bruch/U.S. Air Force photo)

SpaceX launch of a Falcon 9 rocket carrying Starlink satellites on Mission 12-2 on December 23, 2024. The rocket launched from Kennedy Space Center Launch Pad 39A in Florida. (Photo by USA Today)

A squirrel fights for its life in the bill of a great blue heron at the Mission Trails Regional Park in California in the second decade of April 2025. (Phoot by Decker Nomura/Solent News & Photo Agency)

In this photo taken on Friday, March 15, 2013, members of a pro-Kremlin youth group attack pushers of spice, a synthetic drug, in Moscow, Russia. Russian officials and anti-drugs campaigners say that spice has become one of the most dangerous drugs widely available to youngsters and almost impossible to ban because of the constantly changing chemical ingredients. (Photo by Alexander Zemlianichenko Jr/AP Photo)

These tiny insects are so well camouflaged it is nearly impossible to make out their cleverly disguised forms. Canadian photographer and adventurer Paul Bertner attempted to catch the bugs in their natural habitats as part of a hide-and-seek game to show biodiversity in nature. Here: Stick insects. (Photo by Paul Bertner/Caters News)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.