Selena Gomez, left, and Taylor Swift arrive at the 58th annual Grammy Awards at the Staples Center on Monday, February 15, 2016, in Los Angeles. (Photo by Jordan Strauss/Invision/AP Photo)

A participant holds balloons before the Annual March against Homophobia and Transphobia in Havana, May 14, 2016. (Photo by Reuters/Stringer)

In this November 28, 1966 file photo, one of the 10 beagles involved in the first test of the Veterans Administration Hospital in East Orange, N.J. smokes a cigarette through a machine linked to its windpipe by a plastic tube to test any link between smoking and emphysema. (Photo by AP Photo)

Members of the Colombian Navy stand guard on top of a seized submarine built by drug smugglers in a makeshift shipyard in Timbiqui, department of Cauca February 14, 2011. Colombian authorities said the submersible craft was to be used to transport 8 tons of cocaine illegally into Mexico. (Photo by Jaime Saldarriaga/Reuters)

If you're not familiar with Terry's work, he takes boring, everyday objects and makes them come alive! The best thing about it is that it can be enjoyed by everyone. Young or old, we can all get a good chuckle out of his hilarious Bent Objects.

Amanda Lepore attends the “Doll Parts” book launch party at The Standard, Highline on April 18, 2017 in New York City. (Photo by J. Kempin/Getty Images)

Supporters of Filipino boxer and Senatorial candidate Manny Pacquiao, wait for election souvenirs thrown by Pacquiao during election campaigning in Malabon Metro Manila in the Philippines May 6, 2016. Boxing star Manny Pacquiao pressed on with his campaign for a seat in the Philippine Senate despite a reported militant plot to kidnap him. (Photo by Erik De Castro/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)