French Levalet is back in the streets of Paris with this new piece entitled ‘Le marchand de sable’/’The Sandman’, a rather literal interpretation of the mythical character in central and northern European folklore who brings good dreams by sprinkling magical sand onto the eyes of children while they sleep at night. Funny and smart as usual.

Folk artist Han Xiaoming demonstrates painting with his tongue in Hangzhou, Zhejiang province December 4, 2014. Han dips his tongue in ink to paint on paper, and uses his fingers to fill in final adjustments. The artist also uses a paintbrush held with his mouth and utilizes fish and vegetables as paint tools, local media reported. (Photo by Aly Song/Reuters)

China's Wang Yan performs on the balance beam during the artistic gymnastics women's individual all-around final at the 2016 Summer Olympics in Rio de Janeiro, Brazil, Thursday, August 11, 2016. (Photo by Julio Cortez/AP Photo)

A relic hunter dubbed “Indiana Bones” has lifted the lid on a macabre collection of 400-year-old jewel-encrusted skeletons unearthed in churches across Europe. Art historian Paul Koudounaris has hunted down and photographed dozens of gruesome skeletons in some of the world's most secretive religious establishments. Photo: Albertus in the church of St George in Burgrain, Germany. Incredibly, some of the skeletons, which took up to five years to decorate, were even found hidden away in lock-ups and containers. (Photo by Paul Koudounaris/BNPS)

People dancing to buskers performances in Sai Yeung Choi Street South in Mongkok district, Hong Kong, China, 28 July 2018. After 18 years of unregulated street performances, the street performers were forced to give up the space to vehicular traffic again. (Photo by Jerome Favre/EPA/EFE)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.