A man takes a selfie next to a burning barricade during a protest against the government in the streets of Port-au-Prince, Haiti, February 10, 2019. (Photo by Jeanty Junior Augustin/Reuters)
A dog Prince Dudeman stands on the head of Ryan Thor in the annual Surf City Surf Dog event, at Dog Beach in Huntington Beach, Calif., Saturday, September 25, 2021. (Photo by Ringo H.W. Chiu/AP Photo)
A relative of journalist Romelo Vilsaint grieves after learning that he was fatally shot outside a police station, in Port-au-Prince, Haiti, Sunday, October 30, 2022. (Photo by Ramon Espinosa/AP Photo)
Students from the private school Gabriel stand in line as they prepare to start their school day in Port-au-Prince, Haiti, Tuesday, January 9, 2024. (Photo by Odelyn Joseph/AP Photo)
Marie Joseph bathes her friend Jean Robert outside a shelter for the internally displaced where they live due to police violence in Port-au-Prince, Haiti, Thursday, September 16, 2021. Most of the population of Port-au-Prince has no access to basic public services, no drinking water, electricity or garbage collection. (Photo by Rodrigo Abd/AP Photo)
A vendor carries her products in a bucket on her head as she walks through the neighborhood of Jalousie, in the commune of Petion Ville, Port-au-Prince, on December 17, 2018. On the hills of Port-au-Prince, a chaotic jumble of structures stretches ever farther into the distance: Haiti's capital is suffering under the weight of high inflation, endemic corruption and a perilous drop in the value of its currency. Jalousie is a poor neighborhood of the capital which lacks sanitation and potable water. (Photo by Hector Retamal/AFP Photo)
A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.