Giant panda Meng Meng plays on a tree at a Siberian tiger-breeding base in Changchun, China on December 10, 2015. (Photo by Xu Chang/Xinhua Press/Corbis)

Police officers remove Extinction Rebellion activists blocking a main street outside the Health Ministry, during a protest demanding actions against climate change, in Madrid, on March 26, 2021. (Photo by Gabriel Bouys/AFP Photo)

Members of the public admire trees displaying their autumn colours at the Royal Horticultural Society Garden Wisley on October 26, 2011 in Wisley, England. Many deciduous trees have now changed colour as they begin to shed their leaves for Autumn. An extended period of leaf colour change has come about this year due to a warm, dry Spring prompting an early growth spurt and a premature colour change. (Photo by Oli Scarff/Getty Images)

A man pours fake fuel on the face of a protester as they perform at a demonstration against the fossil fuel industry during the UN Climate Change Conference (COP26), in Glasgow, Scotland, Britain, November 7, 2021. (Photo by Yves Herman/Reuters)

A changing of the honor guard ceremony by the Tomb of the Unknown Soldier in Alexander Garden by the Kremlin Wall in Moscow, Russia on May 29, 2020. (Photo by Vladimir Gerdo/TASS)

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.