A boy jumps over a puddle of water on the outskirts of Havana, Cuba March 21, 2016. (Photo by Ueslei Marcelino/Reuters)

Two boys look out from the Mangueira slum towards the Maracana Stadium that is hosting the Rio's 2016 Summer Olympics opening ceremonies, in Rio de Janeiro, Brazil, Friday, August 5, 2016. (Photo by Leo Correa/AP Photo)

Jenifer Lopez, 12, watches television at her home in Havana January 9, 2015. (Photo by Alexandre Meneghini/Reuters)

Women labourers work at the construction site of a road in Kolkata January 8, 2015. Across towns and cities in India, it is not uncommon to see women cleaning building sites, carrying bricks and or shoveling gravel – helping construct the infrastructure necessary for the country's economic and social development. They help build roads, railway tracks, airports, and offices. They lay pipes for clean water supplies, cables for telecommunications, and dig the drains for sewage systems. But although women make up at least 20 percent of India's 40 million construction workers, they are less recognized than male workers with lower pay and often prone to safety hazards and sexual harassment. They are often unaware of their rights or scared to complain, say activists now trying to campaign for better treatment of women in the construction industry. (Photo by Rupak De Chowdhuri/Reuters)

A worker stack bricks on his head at a brick factory in Lalitpur January 12, 2015. (Photo by Navesh Chitrakar/Reuters)

An Afghan refugee girl shows her younger brother a calf in a slum on the outskirts of Islamabad, Pakistan, Friday, February 6, 2015. (Photo by Muhammed Muheisen/AP Photo)

Maharashtrian women dressed in traditional costumes attend celebrations to mark the Gudi Padwa festival in Mumbai March 21, 2015. The festival marks the beginning of the new year for Maharashtrians and is celebrated widely in Maharashtra and in the Konkan region. (Photo by Danish Siddiqui/Reuters)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)