A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

A monkey is led by its trainer Qi Defang during training for a circus in Suzhou, Anhui province, November 29, 2014. Suzhou is known as the hometown of circus troupes in China and has more than 300 circus troupes. (Photo by William Hong/Reuters)

Ardent fisherman Ted Williams of the Boston Red Sox appears to have hooked Frances Flajnik, Tempe queen of Anglers World Series, March 15, 1960. (Photo by AP Photo)

A model slips on the runway while parading an outfit by Australian designer Toni Maticevski at Fashion Week Australia in Sydney on May 15, 2016. (Photo by William West/AFP Photo)

Jesinta Campbell arrives at “Bridesmaids” Celebrity Girls Night Out to celebrate the Australian premiere at Event Cinemas George Street on June 14, 2011 in Sydney, Australia. (Photo by Lisa Maree Williams)

In this image provided by the Ministry of Defence, Prince William takes the controls of a Sea King helicopter on April 14, 2011 in Holyhead, Wales. Search and rescue co-pilot Prince William, based at RAF Valley will marry his fiancee Catherine Middleton in Westminster Abbey in London on April 29, 2011. (Photo by MoD Crown Copyright via Getty Images)

A ballet dancer poses in a giant plastic bubble as she entertains Christmas shoppers in Melbourne on December 13, 2020. (Photo by William West/AFP Photo)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)