A mahout carrying leaves rides an elephant along a street in Amritsar on February 27, 2024. (Photo by Narinder Nanu/AFP Photo)

Young recruits of the 72nd Chorni Zaporozhtsi Separate Mechanized Brigade of the Ukrainian Armed Forces attend an exercise, amid Russia's attack on Ukraine, in Kyiv region, Ukraine on April 5, 2025. Ukraine's Defence Ministry launched a recruitment drive for young people, 18- to 24-year-olds, to serve in the military for a year for the equivalent of about $24,000 and hefty bonuses. (Photo by Gleb Garanich/Reuters)

A woman spits red paint as if it is blood protesting against bullfights in Madrid, Spain on March 27, 2016. Anti-bullfighting protesters have turn the iconic square of “Puerta del Sol” into a bullring. Protesters, almost naked covered with red paint as if it was blood, have demanded the abolition of bullfights under the slogan “The bull suffers!”. (Photo by Marcos del Mazo/Pacific Press)

A eunuch dances during a rally to mark the congregation of thousands of eunuchs from different parts of India, in Jammu, India, Friday, March 13, 2015. The term eunuchs is used in India to describe transvestites, transsexuals and others who identify themselves as neither male nor female but as a member of a third gender. They traditionally survive by begging, dancing at weddings or blessing newborn babies and are frequently subjected to discrimination. (Photo by Channi Anand/AP Photo)

Visitors watch a California sea lion at the Smithsonian National Zoological Park on Thursday May 26, 2022 in Washington, DC. (Photo by Matt McClain/The Washington Post)

Tam Nakano and Maika compete during the Women's Pro-Wrestling “Stardom” at Korakuen Hall on October 17, 2021 in Tokyo, Japan. (Photo by Etsuo Hara/Getty Images)

A woman and her son hold firecrackers during Diwali, the Hindu festival of lights, in Mumbai, India, November 4, 2021. (Photo by Francis Mascarenhas/Reuters)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)