A girl sits on railway tracks at a makeshift camp for refugees and migrants at the Greek-Macedonian border near the village of Idomeni, Greece, March 19, 2016. (Photo by Alkis Konstantinidis/Reuters)
A Rohingya refugee girl named Rufia Begum, aged 9, poses for a photograph as she wears thanaka paste at Balukhali camp in Cox's Bazaar, Bangladesh, March 31, 2018. (Photo by Clodagh Kilcoyne/Reuters)
An Ethnic Kayan also know as a Long Neck girl sits at her parents souvenir shop in the Kayan village at the northern province of Chiang Rai, Thailand, July 16, 2018. (Photo by Soe Zeya Tun/Reuters)
A girl plays with her pet goats at a village some 200 kilometers away from Kolkata, in Tumpa Mondal, India on July 21, 2019. (Photo by Tumpa Mondal/Xinhua News Agency/Barcroft Media)
A girl plays on a pile of discarded flowers outside a market, the day after the Diwali celebrations in Mumbai, India October 31, 2016. (Photo by Shailesh Andrade/Reuters)
A street vendor wearing a Santa Claus costume sits next to a girl at the boulevard of Sabana Grande in Caracas, Venezuela December 19, 2016. (Photo by Marco Bello/Reuters)
Girls watch a procession during the “Fiesta de las Palancas” celebration to ask for blessings and abundance during the new year in Panchimalco, El Salvador, January 5, 2017. (Photo by Jose Cabezas/Reuters)
Ialian artist Federico Mauro latest series takes a look at iconic footwear, and its symbolic representation of the people who wore them. With everything from Steve Jobs’ New Balance 991‘s to the Nike Air Mags sported by Marty McFly in Back to the Future II on show, the minimalist series shows how closely one’s identity can be linked to a single shoe.