A woman poses for pictures with skulls made of cardboard placed on an altar next to the San Francisco church in Mexico City during the celebration of All Souls Day on November 2, 2015. (Photo by Yuri Cortez/AFP Photo)

French artist Julien Breton aka Kaalam started calligraphy in 2001 by copying Arabic calligraphers. Self-taught, he began to incorporate long exposure photography to create incredible light paintings around the world. All of the images in this gallery were created in-camera, meaning there is no Photoshop trickery or post-production manipulation involved in creating these works of art.

Street vendosr prepare grilled pigs to sell for the Chinese New Year celebrations at a market in Phnom Penh, Cambodia, 11 February 2021. Chinese people around the world celebrate the Lunar New Year, also known as the Spring Festival, which marks the year of the Ox. (Photo by Kith Serey/EPA/EFE)

A Taliban fighter walks past a beauty salon with images of women defaced using spray paint in Shar-e-Naw in Kabul on August 18, 2021. (Photo by Wakil Kohsar/AFP Photo)

A Hindu devotee displays his inked hand after taking part in the religious festival of Holi in Vrindavan, in the northern state of Uttar Pradesh, India, March 8, 2017. (Photo by Cathal McNaughton/Reuters)

A visitor wears an outfit as she watches the St. George NextGen show for Fashion Week in Sydney on May 16, 2017. (Photo by Peter Parks/AFP Photo)

Plaster cast moulds of victims of the Mount Vesuvius eruption lie on a display table in a laboratory at Pompeii October 13, 2015. An expert team made up of archaeologists, radiologists, orthodontists and anthropologists began on September 2015 to use CAT scan technology (computerised axial tomography) to peer inside the plaster cast moulds of Pompeii's victims, in a study that has added more detail to previous findings. A 16-layer scan had to be used in order to penetrate the hardened plaster but the results showed up impressive skeletal remains and near perfect teeth. (Photo by Alessandro Bianchi/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)