Aoife Ni Heochaidh enjoys the sunrise as she welcomes winter solstice at the 5000-year-old stone age passage tomb of Newgrange in the Boyne Valley, as entry inside the chamber is closed for the second year due to coronavirus disease (COVID-19) pandemic, in Newgrange, Ireland, December 21, 2021. (Photo by Clodagh Kilcoyne/Reuters)

Military volunteers and civilians take a shooting training at a range in Rostov region on November 11, 2022, amid the ongoing Russian military action in Ukraine. (Photo by AFP Photo/Stringer)

A view of lava crossing the main road to Grindavík and flowing on the road leading to the Blue Lagoon, in Grindavík, Iceland, Thursday, February 8, 2024. A volcano in southwestern Iceland has erupted for the third time since December and sent jets of lava into the sky. The eruption on Thursday morning triggered the evacuation the Blue Lagoon spa which is one of the island nation’s biggest tourist attractions. (Photo by Marco Di Marco/AP Photo)

A Republican farmer defending a farm on the outskirts of Irun against Nationalist forces during the Spanish Civil War, 6th September 1936. A comrade lies dead by his side. (Photo by Keystone/Hulton Archive/Getty Images)

Street photographer Yassine Alaoui Ismaili follows 16-year-old Emeer Guesmi, aka B-boy Zulu Rema, as he trains and performs breakdance moves – all without the use of his legs. At a breakdance championship in Tunisia, Casablanca-based street photographer Yassine Alaoui Ismaili noticed an unusual competitor: Emeer Guesmi, dancing without the aid of his lower legs. He started following him as he trained and performed. (Photo by Yassine Alaoui Ismaili/The Guardian)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

American students going wild during their Spring Break week-long recess in Cancun, Mexico on March 10, 2007. (Photo by Keystone USA/ZUMA Press/Rex Features/Shutterstock)