The annual Antarctic photography exhibition, which is part of Hobart’s Antarctica festival is back on with its chilly, majestic imagery. The winner this year is Sydney’s Sam Edmonds with his striking photo of a gentoo penguin in the snow. Here: Casey Station 2017. (Photo by Chris J. Wilson/The Guardian)

Nermin Halilagic, 38, poses with kitchen utensils in Bihac, Bosnia and Herzegovina, January 23, 2017. Halilagic discovered earlier this year that he had the unusual ability to attach items to his body using what he says is a special energy radiated from his body. (Photo by Dado Ruvic/Reuters)

A woman carries a water pump to work on February 11, 2017 in Almolonga, Guatemala. The Mayan town in the western highlands district of Quetzaltenango has surged in prosperity in recent years with high-productivity vegetable farming, exporting much of its excess crops to neighborning El Salvador. (Photo by John Moore/Getty Images)

Two Afghan children stand amid piles of garbage next to their home, in Kabul, Afghanistan, Monday, April 18, 2022. (Photo by Ebrahim Noroozi/AP Photo)

A red deer stag in Bushy Park, southwest London, pulls a comical face for the camera in the second decade of November 2023. (Photo by Andrew Wood/Caters News Agency)

The Brocken specter or mountain spectre phenomenon, where the shadow of an observer is magnified and cast on a cloud opposite from the sun or bright light source, is observed on the Howgills, outside Sedbergh, Britain, on December 26, 2024. (Photo by Suzanne Plunkett/Reuters)

Donny Golden shares a laugh with dancers from the Irish American Society during the 250th annual St. Patrick's Day parade March 17, 2011 in New York City. The parade honors the patron saint of Ireland and marched for the first time in the U.S. on March 17, 1762, fourteen years before the Declaration of Independence.

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.