Nelson Hernandez flashes the victory sign as he shows off one of the voodoo dolls that he is selling at El Viejo Lazaro Botanica to try and help the Miami Heat fans root their team on against the Dallas Mavericks in the NBA finals on June 9, 2011 in Miami, Florida. The dolls made from cotton come in white or black and they are all the same size. The user of the doll must have the name of the player attached to the doll, which is filled with cotton, herbs, sticks and a special powder. (Photo by Joe Raedle/Getty Images)

“RoboCup is an international robotics competition founded in 1997. The aim is to develop autonomous soccer robots with the intention of promoting research and education in the field of artificial intelligence. The name RoboCup is a contraction of the competition's full name, «Robot Soccer World Cup», but there are many other stages of the competition such as «Search and Rescue» and «Robot Dancing»”. – Wikipedia

Photo: Humanoid robots of the children size league compete during the RoboCup 2006 football world championships final at the Congress Centre on June 18, 2006 in Bremen, Germany. (Photo by Malte Christians/Bongarts/Getty Images)

A 1934 Packard Chassis Coachbuilt Body is displayed during The Quail, A Motorsports Gathering, in Carmel, California, U.S. August 19, 2016. The Pebble Beach Concours d'Elegance is an automotive charitable event held each year on the Pebble Beach Golf Links in Pebble Beach, California, considered the most prestigious event of its kind. It is the finale of Monterey Car Week held in August every year. (Photo by Michael Fiala/Reuters/Courtesy of The Revs Institute)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

“24.27 N, 81.44 W. These coordinates mark the spot of the final resting place of an old brave soldier, the USS General Hoyt S. Vandenberg. In 2009 it underwent a complete change when the creaky steel monster became a mystical bearer of secrets. In May of that year, the Vandenberg was lowered down into the darkness of the ocean off the coast of Florida to become an artificial reef, where it would dwell in rigor mortis at a depth of 130 feet. This lively, animate, secretive nothingness, this menacing, wild emptiness would haunt and seduce the renowned Austrian photographer and passionate diver Andreas Franke...”. – The Sinking World (Photo by Andreas Franke)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.