Children react after what activists said was shelling by forces loyal to Syria's President Bashar al-Assad near the Syrian Arab Red Crescent center in the Douma neighborhood of Damascus May 6, 2015. (Photo by Bassam Khabieh/Reuters)

A demonstrator jumps from a vehicle of the Organisation for Security and Co-operation in Europe (OSCE) during a protest to demand what protesters say is true information from the OSCE about the shelling in Donetsk, Ukraine (since April 2014, the city is the administrative centre of the Donetsk People's Republic), July 23, 2015. The graffiti reads, “Stop moronic war!”. (Photo by Alexander Ermochenko/Reuters)

A s*x worker (C) stages a performance to denounce what they say is abuse and social stigma against them in Madrid, Spain, October 14, 2015. Placard reads "Prostitutes are the ones that make the streets dirty". (Photo by Andrea Comas/Reuters)

A doll, placed by stranded Iranian migrant protesters, hangs from barbed wire in front of Madedonian police at the Greek-Macedonian border near to the Greek village of Idomeni November 29, 2015. The protesters were demonstrating against what they say is the closure of the border for Iranian migrants. According to the demonstrators, the hanging toys and dolls represent the outcome of being unable to return, if they are sent back to Iran. (Photo by Yannis Behrakis/Reuters)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Pavel Sidorenko is an award winning Estonian designer who was born in 1980 in Tallinn and studied product design at Estonian Academy of Arts and Graduated in 2006. Not only does he incorporate pragmatic necessity, but also transmits an emotional qualities within the everyday environment. His fantastic collection of Re Vinyl designs are a result of upcycling a product fashioned from old vinyl records. Beautifully crafted and working with a range of themes from scenography to animal creatures, there is sure to be something for everyone with these stylish selection of recycled vinyl clocks!

Matador Marco Espinola, who emigrated from the Azores two years ago, challenges a bull during an Azorean “tourada a corda” (bullfight by rope) in Brampton, Ontario August 15, 2015. Bulls in a tourada a corda are held by a rope controlled by a team of men to make sure the animal does not cause injury. Bulls are never killed, in contrast with bullfighting in Spain. The Portuguese population in Canada, numbering 429,000 in the 2011 census, mainly centers around Toronto with immigrants from the nine islands of the mid-Atlantic Azores archipelago. (Photo by Chris Helgren/Reuters)

Star Wars enthusiasts wear costumes resembling what they say are three “Chew's Angels” during the 2015 Comic-Con International Convention in San Diego, California July 10, 2015. (Photo by Mario Anzuoni/Reuters)