A model presents a creation from the collection by Amato Couture, of the United Arab Emirates, during the Arab Fashion Week in Gulf emirate of Dubai, United Arab Emirates, 28 March 2022. (Photo by Ali Haider/EPA/EFE)

A resident reacts as a health worker collects a swab sample to test for the Covid-19 coronavirus in Colombo on July 27, 2021. (Photo by Ishara S. Kodikara/AFP Photo)

Models showcase collection by designer Zhang Kejia during the 2021 Kunming Fashion Week on December 15, 2021 in Kunming, Yunnan Province of China. (Photo by Li Jiaxian/China News Service via Getty Images)

Models are seen backstage ahead of the Hakan Akkaya x Cinderella Bridal Capsule Collection at Tersane Istanbul on November 30, 2021 in Istanbul, Turkey. (Photo by Ferda Demir/Getty Images for Hakan Akkaya)

People collect fish on the beach during the coronavirus disease (COVID-19) outbreak in Da Nang, Vietnam on May 6, 2020. (Photo by Kham via Reuters)

An image from CY-B3LLA, model Bella Hadid's new NFT collection is seen in this undated handout image obtained by Reuters on July 22, 2022. (Photo by reBASE/Handout via Reuters)

Michael Fröhlich's Jowett Javelin rotting car in his forest sculpture park in Neandertal Germany, September 11, 2016. An eccentric artist has collected fifty vintage cars and left them to rot in a forest – and now they're worth over $1 million. Former racing driver Michael Fröhlich, from Dusseldorf, Germany, has purposely crashed the cars into trees, buried them in mud and parked them on cliff faces in his estate's garden in the middle of the German Neanderthal. His collections includes a Jaguar XK120 worth $170,000, a Porsche 356 racer and a Buick worth $17,000. (Photo by Christoph Hagen/Barcroft Images)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)