Children surround a man, left, that fell down while walking on a street suspected of having contracted the Ebola virus in the city of Monrovia, Liberia, Tuesday, August 19, 2014. The World Health Organization says the outbreak has killed more than 1,200 people, while authorities struggle to contain its spread and treat the sick. (Photo by Abbas Dulleh/AP Photo)

During the spring harvest season, a group of traditional Malaysian honey hunters travel to the rainforest near the Thai border to collect honeycombs from giant bees – and risk their lives climbing 200ft trees. Here: Bees are sensitive to light, which makes them follow the glowing embers down to the ground. (Photo by Hasnoor Hussain/The Guardian)

In this October 6, 2018, photo, a craftsman makes daggers or “Jambiyya” in Yemeni Arabic, made out of remains of missiles, at his workshop, in Hajjah, Yemen. Missiles raining on Yemen from the jets of the Saudi-led coalition fighting Houthi rebels are killing thousands of civilians and militiamen alike, but amid crashing economy, some Yemenis see the bright side of it: they make daggers out of the fragments of the missiles for ordinary men traditionally wear for prestige and a show of courage. (Photo by Hammadi Issa/AP Photo)

A Filipino woman wears a mask to try and protect against the spread of coronavirus in Malate district, Manila City on March 24, 2020. The Philippines has taken drastic measures to combat the spread of Covid-19. The entire country is under strict quarantine and the army is on the streets to monitor compliance. According to official figures, there are 462 positive cases and 33 dead in the Philippines, but it is thought that thousands of cases remain undetected due to lack of resources in a country where millions of people have no access to health care. In the poorest and most crowded areas, it’s almost impossible to adhere to the physical distancing required during quarantine. (Photo by Alejandro Ernesto/The Guardian)

In this February 22, 2018 photo, a couple looks at a bag made out of Venezuelan Bolivars in La Parada, Colombia, on the border with Venezuela. Each collector item produced by Richard Segovia, sitting at the table, fetches between $10 and $15 – a huge markup from the pennies that bolivars retrieve on Venezuela's black market. (Photo by Fernando Vergara/AP Photo)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)