Girls, who are part of Afghan Mobile Mini Circus for Children (MMCC), participate in a juggling competition in Kabul, Afghanistan August 12, 2015. The MMCC, founded by David Mason from Denmark, teaches cooperation and creativity to children scarred by years of war in Afghanistan. Despite the dangers, the project has grown so popular that it now runs centres in ten provinces and has hundreds of regular students. The circus makes visits to internally displaced persons' camps, schools, orphanages, and holds annual festivals. The children are taught the skills of juggling clubs, walking on stilts and acrobatics. (Photo by Ahmad Masood/Reuters)

Charlotte fights a monster with a “wand” in her bedroom in Laure Fauvel's “Terreurs”, 2014, in Paris, France. An imaginative photographer has brought to life monsters that haunt children's nightmares. Armed with sticks, wands and swords the eight and nine year-olds appear to be getting the upper-hand against the villains. Parisian photographer Laure Fauvel, 22, said: I wanted the children not be victims and to fight the monsters. (Photo by Laure Fauvel/Barcroft Media)

These stunning images document the everyday lives of the men, women and children of the Mentawai tribe. The Mentawai people, a native population in Indonesia, are famous for their decorative tattoos and for living a semi-nomadic life on the Mentawai Islands in West Sumatra. Shot by professional photographer Mohammed Saleh Bin Dollah, the series captures a glimpse of life on the island as the Mentawai men smoke and hunt for food and the children play in the river. Here: A young boy helps a woman to prepare food taken on July 19, 2014 on the Mentawai Islands, Indonesia. (Photo by Muhamad Saleh Dollah/Barcroft Media)

Aiden Haas, left, and Lilli Alcala pose after being crowned Mud King and Mud Queen at the 29th annual Mud Day, Tuesday, July 12, 2016 in Westland, Mich. The event, open to children 12 and younger, was at the Hines Park-Nankin Mills Area west of Detroit. Children 12 and younger were able to slosh around in the pit while participating in mud limbo, wheelbarrow races and other free activities. (Photo by Carlos Osorio/AP Photo)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.