Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

“Jessica”, a silicon sеx doll for sexual encounters lies on a bed at the “Bordoll” brothel on April 17, 2019 in Dortmund, Germany. Bordoll is Germany's first brothel to specialize in sеx dolls. It currently offers 13 female dolls and one male doll and will soon be expanding its female line-up. Schwarz says “sеx dolls are so popular because the client can do what he wants to and nobody complains”. (Photo by Lukas Schulze/Bongarts/Getty Images)

The snaps show photographers from around the world, who are willing to do just about anything for the perfect picture – whether that be tussling with a seal or withstanding a sharp shove from an angry gorilla. Other brave snappers can be seen getting up close and personal with leopards and great white sharks as they persist in getting the ultimate wildlife shot. Here: Christophe Vasselin gets pushed over by a gorilla. (Photo by Christophe Vasselin/Caters News Agency)

There isn’t exactly a college out there for face painting so Elsa Rhae Pageler‘s talent is as raw as it comes. Perhaps what’s even more amazing is that the video editor and producer from Kansas City graduated with a degree in Film and Media Studies and only does face painting and airbrushing as a side job. An application may take anywhere from 1 to 3 hours and apart from outside gigs, she features video tutorials on her YouTube channel showing how she paints herself to recreate video game and fictional characters. Photo: “Face Palm”. (Photo by Elsa Rhae Pageler)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.